WHAT IF YOUR MEMORY WAS PUT ON HOLD?

Editorial of the extrablatt of our upcoming issue, produced together with the International Cities of Refuge Network (ICORN) a fellowship for at-risk cultural workers, the DAAD and Re:Writing the Future Festival.

by Mohamed Ashraf & Elisabeth Wellershaus

Berlin / Allianz Kulturstiftung

Friday / Feb 26 2021

RE:WRITING THE FUTURE: NEW STATES OF BEING

Feel free to envision the future together. How do you imagine the constitution of Empathia?

by Somaya El Sousi & Vivien Tauchmann

Wednesday / Feb 24 2021

RE:WRITING THE FUTURE: THE TANTA MUSEUM OF WHITE HISTORY

A ravishing tale about a time when political and social world orders have been turned on their heads.

by Ahmed Naji

Wednesday / Feb 24 2021

RE:WRITING THE FUTURE: MANY TONGUES, ONE ENTITY

The following poems navigate between the Here and There. They explore the fluidity of languages, times and spaces and each show a distinct vision of how their worlds may unfold.

by Pegah Ahmadi, Amani AboShabana & Nada Al Khawwam

Wednesday / Feb 24 2021

RE:WRITING THE FUTURE: THE CREATURE

A futuristic reinterpretation of Edgar Allan Poe’s “Masque Of The Red Death.”

by Aslı Erdoğan

Wednesday / Feb 24 2021

RE:WRITING THE FUTURE: POMEGRANATE NATION

Journalist Zamira Abbasova was born in Armenia and grew up in Azerbaijan. In this fictional story she envisions her return “home.”

by Zamira Abbasova

Wednesday / Feb 24 2021

RE:WRITING THE FUTURE: INDECISIVE DEMOCRACY

Please involve your sentiment, as you involve your intellect, and dream.

by Mohamed Ashraf

Wednesday / Feb 24 2021

ART IN SOLIDARITY WITH ITSELF

If artists are workers and workers are artists, who’s standing in solidarity with whom?

by Pierre d’Alancaisez

Thursday / Feb 18 2021

KOMMENTAR: VERSÖHNUNG MADE IN GERMANY

Wie die geplatzte Performance von Ersan Mondtag und Olga Bach die Geburtsfehler der Stiftung Flucht, Vertreibung und Versöhnung offenlegt.

by Piotr Franz

Berlin

Wednesday / Feb 17 2021

COLONIZER, INTERRUPTED

The following is not a story about baby shoes for sale, never worn. It is about the half of humanity that cannot a afford them.

by Eugene Richardson

Wednesday / Feb 17 2021

THINGS MIGHT TURN INTO A JUNGLE

Caring about (the dissolution of) obstacles in digital and physical worlds.

by Matylda Krzykowski

Wednesday / Feb 17 2021

INTERVIEW: A BERLIN BASED COLLECTIVE 'LA 54'

Makeshift shelters as a grassroots response to the issue of homelessness.

by Sonja Teszler

Wednesday / Feb 10 2021

CALL FOR APPLICATIONS: ADVANCEMENT AWARDS

An opportunity for artists working with new technologies, design and organization beyond the screen.

by The Arthur Boskamp-Stiftung

Hohenlockstedt

Wednesday / Feb 10 2021

CONVERSION THROUGH COLLABORATION

How an anti-gentrification model in the center of the city is opening up forms of mutual aid, global connection and self-revolutionary consciousness.

by Synnika

Monday / Feb 08 2021

NOTES ON RUMMELSBURG: MIETENDECKEL, RATS & DOLPHINS

Different perspectives on the gentrification process in Berlin and the Right to the City.

by Arantxa Ciafrino

Berlin, Germany

Wednesday / Feb 03 2021

NEW COLUMN! THE BLISS OF THE SPAM

Naughty political poetical observations, collected monthly and inspired by the voices of the many.

by Dalia Maini

Monday / Feb 01 2021

KOCAMAN KESKİN BİR ÇELİŞKİ

İster köklü bir sanat kurumu ister bağımsız bir sergi projesi ya da bir sanatçı atölyesi ya da grubu olsun, emek sömürüsü en beklenmedik anlarda ortaya çıkabiliyor.

by Didem Yazıcı

Monday / Feb 01 2021

WE, COVID TICKS: A CONTAGIOUS INTERSPICIES ASSEMBLAGE

From the upcoming reader of the 13th Gwangju Biennale "Stronger than Bone", running from February 26 2021 until May 9, 2021.

by Oxana Timofeeva

Wednesday / Jan 27 2021

BRAZILIAN BLACK FEMINISM: UNDOING RACIAL DEMOCRACY, TOWARDS A WORLD ETHIC WITH ORIXÁS

From the upcoming reader of the 13th Gwangju Biennale "Stronger than Bone", running from February 26 2021 until May 9, 2021.

by Djamila Ribeiro

Wednesday / Jan 27 2021

EXPLODED HEARTS OF THE ARAB SPRING

Ten years ago today, the first demonstrations took place in Cairo's Tahrir Square. Poets respond to this historic milestone.

by Kholod Saghir

Monday / Jan 25 2021

PROFILE: PIERRE VERGER IN SURINAME

On Willem de Rooij.

by Sebastjan Brank

Wednesday / Jan 20 2021

PROFILE: HOW TO SHELTER A PAINTING?

On Philippa Horan.

by Alina Kolar

Wednesday / Jan 20 2021

PROFILE: BETTLER

Zur Kunst Andrea Büttners.

by María Inés Plaza Lazo

Wednesday / Jan 20 2021

INTERVIEW: ANDREA BÜTTNER UND KLAUS LEDERER

Ein Gespräch über Mieten, Schönheit, Kunst und linke Politik.

by Andrea Büttner, Klaus Lederer, Kolja Reichert

Berlin, Germany

Monday / Jan 18 2021

CAPSULES: THE LANDLORD IS COMING

Nine vital initiatives that organise against real estate speculation and help us envision fairer ways of cohabitation, organisation and cultural production.

by Issue 14: Various Contributors

Wednesday / Jan 13 2021

الامتيازات

نص ل: أولغا غيريازنوڤا ترجمه للانكليزية: اليسون غارسيا ترجمه للعربية: أيهم مجيد آغا

by Olga Grjasnowa

Tuesday / Jan 12 2021

#openness

STELLUNGNAHME: FÜR “WELTOFFENHEIT”

Warum ich die Petition für die Initiative "GG 5.3 Weltoffenheit" unterschrieben habe.

by Boaz Levin

Berlin

Friday / Jan 08 2021

STOLPERSTEINE: EINE KARTOGRAPHIE NOTWENDIGER SCHRITTE

Ein Gespräch mit Lara Verena Bellenghi.

by Alina Kolar

Wien, Berlin, Venedig, Mailand, Rom und Turin

Monday / Jan 04 2021

#artworkerscommons

L'UNION DES REFUSÉS

Founding layers for global art workers commons

by María Inés Plaza Lazo

Berlin

Wednesday / Dec 30 2020

#uniondesrefusés

ART WORKERS COMMONS: COOPERATION

On emotions, currencies, hierarchies and how to trace power through a global organization for art workers called "L'Union des Refusés"

by Lila Athanasiadou, Mateo Chacón Pino, Luiza Crosman, María Inés Plaza Lazo

Cologne / Munich

Tuesday / Dec 29 2020

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Texts

WHAT IF YOUR MEMORY WAS PUT ON HOLD?

Editorial of the extrablatt of our upcoming issue, produced together with the International Cities of Refuge Network (ICORN) a fellowship for at-risk cultural workers, the DAAD and Re:Writing the Future Festival.

RE:WRITING THE FUTURE: NEW STATES OF BEING

Feel free to envision the future together. How do you imagine the constitution of Empathia?

RE:WRITING THE FUTURE: THE TANTA MUSEUM OF WHITE HISTORY

A ravishing tale about a time when political and social world orders have been turned on their heads.

RE:WRITING THE FUTURE: MANY TONGUES, ONE ENTITY

The following poems navigate between the Here and There. They explore the fluidity of languages, times and spaces and each show a distinct vision of how their worlds may unfold.

RE:WRITING THE FUTURE: THE CREATURE

A futuristic reinterpretation of Edgar Allan Poe’s “Masque Of The Red Death.”

RE:WRITING THE FUTURE: POMEGRANATE NATION

Journalist Zamira Abbasova was born in Armenia and grew up in Azerbaijan. In this fictional story she envisions her return “home.”

RE:WRITING THE FUTURE: INDECISIVE DEMOCRACY

Please involve your sentiment, as you involve your intellect, and dream.

ART IN SOLIDARITY WITH ITSELF

If artists are workers and workers are artists, who’s standing in solidarity with whom?

KOMMENTAR: VERSÖHNUNG MADE IN GERMANY

Wie die geplatzte Performance von Ersan Mondtag und Olga Bach die Geburtsfehler der Stiftung Flucht, Vertreibung und Versöhnung offenlegt.

COLONIZER, INTERRUPTED

The following is not a story about baby shoes for sale, never worn. It is about the half of humanity that cannot a afford them.

THINGS MIGHT TURN INTO A JUNGLE

Caring about (the dissolution of) obstacles in digital and physical worlds.

INTERVIEW: A BERLIN BASED COLLECTIVE 'LA 54'

Makeshift shelters as a grassroots response to the issue of homelessness.

CALL FOR APPLICATIONS: ADVANCEMENT AWARDS

An opportunity for artists working with new technologies, design and organization beyond the screen.

CONVERSION THROUGH COLLABORATION

How an anti-gentrification model in the center of the city is opening up forms of mutual aid, global connection and self-revolutionary consciousness.

NOTES ON RUMMELSBURG: MIETENDECKEL, RATS & DOLPHINS

Different perspectives on the gentrification process in Berlin and the Right to the City.

NEW COLUMN! THE BLISS OF THE SPAM

Naughty political poetical observations, collected monthly and inspired by the voices of the many.

KOCAMAN KESKİN BİR ÇELİŞKİ

İster köklü bir sanat kurumu ister bağımsız bir sergi projesi ya da bir sanatçı atölyesi ya da grubu olsun, emek sömürüsü en beklenmedik anlarda ortaya çıkabiliyor.

WE, COVID TICKS: A CONTAGIOUS INTERSPICIES ASSEMBLAGE

From the upcoming reader of the 13th Gwangju Biennale "Stronger than Bone", running from February 26 2021 until May 9, 2021.

BRAZILIAN BLACK FEMINISM: UNDOING RACIAL DEMOCRACY, TOWARDS A WORLD ETHIC WITH ORIXÁS

From the upcoming reader of the 13th Gwangju Biennale "Stronger than Bone", running from February 26 2021 until May 9, 2021.

EXPLODED HEARTS OF THE ARAB SPRING

Ten years ago today, the first demonstrations took place in Cairo's Tahrir Square. Poets respond to this historic milestone.

PROFILE: PIERRE VERGER IN SURINAME

On Willem de Rooij.

PROFILE: HOW TO SHELTER A PAINTING?

On Philippa Horan.

PROFILE: BETTLER

Zur Kunst Andrea Büttners.

INTERVIEW: ANDREA BÜTTNER UND KLAUS LEDERER

Ein Gespräch über Mieten, Schönheit, Kunst und linke Politik.

CAPSULES: THE LANDLORD IS COMING

Nine vital initiatives that organise against real estate speculation and help us envision fairer ways of cohabitation, organisation and cultural production.

الامتيازات

نص ل: أولغا غيريازنوڤا ترجمه للانكليزية: اليسون غارسيا ترجمه للعربية: أيهم مجيد آغا

STELLUNGNAHME: FÜR “WELTOFFENHEIT”

Warum ich die Petition für die Initiative "GG 5.3 Weltoffenheit" unterschrieben habe.

STOLPERSTEINE: EINE KARTOGRAPHIE NOTWENDIGER SCHRITTE

Ein Gespräch mit Lara Verena Bellenghi.

L'UNION DES REFUSÉS

Founding layers for global art workers commons

ART WORKERS COMMONS: COOPERATION

On emotions, currencies, hierarchies and how to trace power through a global organization for art workers called "L'Union des Refusés"

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The following is not a story about baby shoes for sale, never worn. It is about the half of humanity that cannot a afford them.