THE MONUMENT OF SHAME
Why dishonor must become part of commemorative practices.
by Hans van Houwelingen
Thursday / Dec 03 2020
Texts
NEW COLONIALISM AND THE ERASURE OF HISTORY
Some thoughts on centre, periphery and the in-between in Georgian contemporary art.
by Elene Abashidze
Wednesday / Dec 02 2020
NOTES ON ANXIOUS CITIES: A PRE & POST-ELECTION U.S.
What have the challenges been, and the successes? What is the institutional relation between art and politics during the pandemic?
by Eliza Levinson
Thursday / Nov 26 2020
HABEN UND SEIN: VOM LEBEN IN SOZIALER UNGLEICHHEIT
Aus dem neu erschienenen Buch “Wir nennen es Familie - Neue Ideen für ein Leben mit Kindern”
by Anne Waak
Berlin
Thursday / Nov 26 2020
E-MAIL CONVERSATIONS: WARREN NIESŁUCHOWSKI
The Homeless Years, 2003–2019
by María Inés Plaza Lazo
Berlin
Wednesday / Nov 25 2020
PETITION: INTERNATIONAL SUPPORT FOR NON-GOVERNMENTAL ORGANISATIONS
Ljubljana's cultural scene fights back.
by Organizations operating at No. 6 Metelkova Street
Ljubljana, Slovenia
Wednesday / Nov 18 2020
LAGOS PHOTO 2020: A MUSEUM OF HOSPITALITY
Normative museological systems that are to be exchanged for accessibility.
by Asya Yaghmurian
Monday / Nov 09 2020
LAGOS PHOTO 2020: TOWARDS CO-CREATING A DECOLONIAL INCLUSIVE MUSEUM
What can be achieved when everyone has a voice in the exhibition space?
by Oluwatoyin Sogbesan
Lagos
Monday / Nov 09 2020
NOTES ON GATHERING: PHYSICAL ABSENCE
As “presence” slowly disappears, here is a brief throwback to some exhibitions from this year that are trying out post-pandemic public dynamics.
by Seda Yıldız
Monday / Nov 09 2020
LAGOS PHOTO 2020: INTRODUCTION
From Rapid Response Restitution to Home Museum
by Clémentine Deliss & Azu Nwagbogu
Lagos
Friday / Nov 06 2020
INTERVIEW: INKE ARNS
On Roma architecture as an example of political self-determination, and the curatorial responsibility it takes to bring it to the exhibition space
by Sebastjan Brank
Monday / Nov 02 2020
PROTESTS IN POLAND: GET THE FUCK OUT, MOTHERFUCKERS
Polish Womxn are really angry. And they have every reason to be. A commentary.
by Agata Pyzik
Warsaw, Poland
Wednesday / Oct 28 2020
IN REAL LIFE THERE IS NO REWARD
Review of "Cœurs Simples", a solo show by Agnes Scherer
by Sif Lindblad
Monday / Oct 26 2020
WOMXN IN MOTION: ON LEARNING, DANCING, ARCHIVING AND SOMETIMES CRYING TOGETHER. AKA, GRAZIE DAFNE.
Stories about collective self-affirmation, working with others and the messiness of research.
by Barbara Casavecchia
Art Institute HGK FHNW
Wednesday / Oct 21 2020
WOMXN IN MOTION: HYENA DAYS
A story about colonial violence and the most dangerous times in human history.
by Mayra A. Rodríguez Castro
Art Institute HGK FHNW
Tuesday / Oct 20 2020
WOMXN IN MOTION: THE 25MIN PERFORMANCE
Erotic sociability and a multitude of senses.
by Isabel Lewis
Basel
Tuesday / Oct 20 2020
WOMXN IN MOTION: MOUTHLESS (PART I AND II)
An audiovisual narrative of pagan rituals, eco-feminism and Baltic and Slavic folk legends.
by Dorota Gawęda and Eglė Kulbokaitė
Tuesday / Oct 20 2020
REVIEW: WOMXN IN MOTION
A brief recount of a nurturing gathering.
by María Inés Plaza Lazo
Basel
Tuesday / Oct 20 2020
INTERVIEW: JANEZ JANŠA
The artist changed his name in 2007, turning himself into the alter-ego of the Sloveninan prime minister. A conversation on crossing the boundaries between breaking fiction and fake news.
by María Inés Plaza Lazo
Graz, Austria
Monday / Oct 12 2020
PRIVILEGE CARVED IN STONE
On the reconstruction of colonial legacy and the safeguarding of living cultures in the Humboldt Forum, Berlin.
by Pablo Santacana Lopez
Berlin
Monday / Oct 12 2020
Durchlässigkeit der Grenzen
Wie beginnt man ein Gespräch über persönliche Grenzen? Wie kann man es führen, ohne die eines anderen Menschen zu verletzen zu kränken oder zu brechen?
by Ira Konyukhova
Friday / Oct 09 2020
REVIEW: PARANOIA TV
Der Steirische Herbst ist dieses Jahr kein Kunstfestival, sondern ein Medienkonzern. Zu Besuch in den von Ekaterina Degot projizierten Parallelwelten.
by Alina Kolar and María Inés Plaza Lazo
Graz
Wednesday / Oct 07 2020
EURASIAN STUFF
Tracing the cultural entanglements of East, West and the in-between.
by People of Accent
Monday / Oct 05 2020
REVIEW: VARIOUS OTHERS
Distinguishing social critique from judgement of taste through an initiative of galleries, institutions and off-spaces in Munich.
by María Inés Plaza Lazo
Munich
Friday / Oct 02 2020
INTERVIEW: SILVIA KOLBOWSKI
The pioneering artist discusses the trajectory of her critical practice, misconceptions of art's social value and how to perform against far-right aesthetics.
by Dennis Brzek
Berlin/New York City
Friday / Oct 02 2020
REVIEW: BOUCHRA KHALILI, THE NORDIC CHAPTER
On the artists' quest to connect the dots between different histories of struggle.
by María Inés Plaza Lazo
Wednesday / Sep 30 2020
NOTIZEN AUS CHEMNITZ: GEGENWARTEN
Eine Ostdeutsche Stadt mit dem Ziel Europäische Kulturhauptstadt 2025 zu werden.
by María Inés Plaza Lazo
Chemnitz
Friday / Sep 25 2020
NOTIZEN AUS BASEL: WARUM IST ES SO SCHWER, DIE KUNST ZU LIEBEN?
Drei Ausstellungen zur existenziellen Fragilität. Aus gegebenem Anlass.
by María Inés Plaza Lazo
Basel
Friday / Sep 25 2020
THINGS MIGHT BREAK (IF YOU WANT THEM TO)
On breaking the monoculture, re-thinking artistic programming and finding the strength in humour.
by Matylda Krzykowski
Berlin
Friday / Sep 25 2020
WELCHES SYSTEM? WELCHE RELEVANZ?
Wie Christian Jankowski das Jahr 2020 als eine Umbruchzeit historisiert.
by María Inés Plaza Lazo
Berlin
Monday / Sep 21 2020