María Inés Plaza Lazo

Silent ways to regenerate art’s role on the soils of a repressive, yet hopeful megalocity, by example of its 17th Biennial, shows at Sanatorium and Protocinema, a.o.

Through the halls of the city, art fairs, galleries, and the social housing system.

For and against whom do we stage resistance?

Die Sprachpraxis des colectivo LASTESIS auf der Strasse und der Bühne.

Wilfrid Almendra’s Adelaïde at Fraeme and the FRAC Provence-Alpes-Côte d’Azur.

On how Tony Cokes rewrites history as a remix of fakes, lives and songs to dance to at Haus der Kunst and Kunstverein Munich.