María Inés Plaza Lazo

Die Sprachpraxis des colectivo LASTESIS auf der Strasse und der Bühne.

Wilfrid Almendra’s Adelaïde at Fraeme and the FRAC Provence-Alpes-Côte d’Azur.

On how Tony Cokes rewrites history as a remix of fakes, lives and songs to dance to at Haus der Kunst and Kunstverein Munich.

Contributing to an on-going discussion for a necessary non-patronizing critique of documenta fifteen, with propositions for a transformative art institution making.

Moments of significant shifts in a safe place like the Biennale Gherdëina.

Questions on artistic appetite, intervening in the public space and good taste.