Mohammad Salemy

is an independent Berlin-based artist, critic and curator from Canada. He holds a BFA from Emily Carr University and an MA in Critical Curatorial Studies from the University of British Columbia.

8 posts

June 20, 1981: The Beginning of an End

June 20, 1981: The Beginning of an End

AI as the Angel of History.

Against the Weaponization of Art and the Moralization of Military Conflicts

Against the Weaponization of Art and the Moralization of Military Conflicts

Christopher Nolan’s Oppenheimer (2023) features a scene depicting one of those perfect moments when a clear contradiction between ethics and morality is revealed, namely when the Manhattan Project group discusses launching the first nuclear bomb. The fear that grips their research is that using an atomic bomb against Nazi

Your name will become a code:

Your name will become a code:

#MahsaAmini One Year Later.

Beating a dead horse

Beating a dead horse

What’s Wrong with DAOs?

Whats art got to do with the iranian revolution?

Whats art got to do with the iranian revolution?

A conversation with Sayeh Azarpanah.

A surface deeper than the skin: iranian women amid a feminist revolution of their own

A surface deeper than the skin: iranian women amid a feminist revolution of their own

A rewriting of Iranian history centered on the social status of women can further unchain Iranian people from their current situation and bring about a better articulation of the necessary changes and their speedier realization.

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