# Arts of the Working Class
> Arts of the Working Class is a multilingual publishing program at the intersection of art, society, poverty and wealth. Sold on the streets, vendors keep 100% of the revenues.
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Append `.md` to any post or page URL to get the content in Markdown (for example, `/example-post.md`).

## Pages
- [About this site](https://www.artsoftheworkingclass.org/about.md) - Arts of the Working Class is an independent publication launched in May 2026 by María Inés Plaza Lazo. If you subscribe today, you'll get full access to the website as well as email newsletters about new content when it's available. Your subscription makes this site possible, and allows Arts of the…
- [Advertise](https://www.artsoftheworkingclass.org/advertise.md) - Advertise
- [Calls for Collaborations](https://www.artsoftheworkingclass.org/calls-for-collaborations.md) - Transformers: 2026 Editorial Cycle Transformers: All they ever wanted was to save the world. As a disruptive desire, it echoes through every crisis: from ancient myths to climate revolt—and even in sugarcoated action films. Yet every attempt at salvation carries a shadow. It risks domination. The i…
- [Co-Working Space](https://www.artsoftheworkingclass.org/co-working-space.md) - Spaces for Artists, Writers, and Publishers. - Update: The opportunity to inhabit the space with us is directed towards Berlin locals! - Arts of the Working Class (AWC) is thrilled to announce the opening of its new space in Berlin-Neukölln (NK) at Schillerpromenade 10. It is dedicated to supportin…
- [Contacts](https://www.artsoftheworkingclass.org/contact.md) - María Inés Plaza Lazo Founder, Publisher Contact for media partnerships, advertisements and collaborations. mi@artsoftheworkingclass.org Amelie Jakubek Admin and Project Manage Contact for legal and administrative inquiries. hey@artsoftheworkingclass.org / admin@artsoftheworkingclass.org Dalia Main…
- [Contribute](https://www.artsoftheworkingclass.org/contribute.md) - Art for the many, not for the few. PITCH TO AWC TAKE YOUR PART IN THE ART AWC is a platform for everyone interested in discussions of arts and society, wealth and poverty. We welcome pitches from all corners of your mind. If you want to share your voice, please consider the guidelines below: HOW TO…
- [Contributions](https://www.artsoftheworkingclass.org/contributions.md)
- [FAQ](https://www.artsoftheworkingclass.org/faq.md) - Do I need to pay to read? No. Many of our online features remain freely accessible. At the same time, Arts of the Working Class (AWC) is not costless to produce. Every issue depends on a network of labor, care, and financial contributions that make its circulation possible. What do these membership…
- [Institutions](https://www.artsoftheworkingclass.org/institutions.md) - Basel Art Institute HGK FHNW Ausstellungsraum Klingental Kulturstiftung Basel H. Geiger Kunsthalle Basel Kunstmuseum Basel Berlin Allianz Kulturstiftung Archenhold Observatory Atelier Gardens (BUFA) Berliner Kältehilfe Berliner Obdachlosenhilfe e.V. Bildungswerk Berlin der Heinrich-Böll-Stiftung e.…
- [Media Kit](https://www.artsoftheworkingclass.org/media-kit.md) - Media Kit 2026mediakit2026-update-1.pdf2 MBdownload-circle
- [Subscriptions](https://www.artsoftheworkingclass.org/membership.md) - Arts of the Working Class (AWC) is transitioning to an online archive and subscription-based structure. Over the coming months, three forms of subscriptions will define this system: Readers, Partners, and Redistributors. These subscriptions sustain the production and circulation of a multilingual p…
- [Partnerships](https://www.artsoftheworkingclass.org/partnerships.md) - Partnerships
- [People](https://www.artsoftheworkingclass.org/people.md)
- [Pick Up Stations](https://www.artsoftheworkingclass.org/pick-up-stations.md) - For anyone who would like to sell AWC on the streets. Arts of the Working Class can be sold by anyone on the streets. Pick-up stations are low-threshold social and cultural spaces where AWC copies are stocked, allowing vendors to collect them for street sale. All revenue from sales remains with the…
- [Print Issues](https://www.artsoftheworkingclass.org/print-issues.md)
- [Stockists](https://www.artsoftheworkingclass.org/stockists.md) - Stockists
- [Support](https://www.artsoftheworkingclass.org/support.md) - Support
- [Supporters](https://www.artsoftheworkingclass.org/supporters.md) - Supporters
- [Focus](https://www.artsoftheworkingclass.org/tags.md) - how things are connected
- [Vendors](https://www.artsoftheworkingclass.org/vendors.md) - Vendors

## Posts
- [While weaving the flowers, I imagined myself standing in the midst of them](https://www.artsoftheworkingclass.org/text/while-weaving-the-flowers-i-imagined-myself-standing-in-the-midst-of-them.md) - A walk through Anna Boghiguian’s “Weaving Culture” at National Gallery of Armenia.
- [Ver cómo cae la sombra](https://www.artsoftheworkingclass.org/text/ver-como-cae-la-sombra.md) - Esta posibilidad aparece hacia la mitad de una conversación con Ana María Millán y Gala Porras-Kim a propósito de «Museum as Sundial», la exposición del Van Abbemuseum que recupera una condición inscrita en la arquitectura original del museo.
- [Love Is Not the Answer](https://www.artsoftheworkingclass.org/text/love-is-not-the-answer.md) - It might, however, be a way of exposing the transactions that structure art. An interview with Attilia Fattori Franchini and Christina Linher on curated by’s latest edition, titled—in full caps—“LOVE”.
- [A life that we live with all the beings around us](https://www.artsoftheworkingclass.org/text/a-life-that-we-live-with-all-the-beings-around-us.md) - On “Tools for Assembly” by Iliada Charalambous at Lateral Roma.
- [The Languages We Don’t Yet Have](https://www.artsoftheworkingclass.org/text/the-languages-we-dont-yet-have.md) - Havîn Al-Sîndy, Céline Semaan, and Payam Sharifi in conversation with Hanno Hauenstein on translation, embodied memory, and the power to name experience.
- [Care Work is Grief Work](https://www.artsoftheworkingclass.org/text/care-work-is-grief-work.md) - As part of the ‘Climate Forum III. Poetics and Operations’, a consideration of the entangled relationship between grief and ‘volume’.
- [The promise and the necessity of Intercommunalism](https://www.artsoftheworkingclass.org/text/the-promise-and-the-necessity-of-intercommunalism.md) - On the legacy of Black Panther leader Huey P. Newton, on state repression then and now, and on what it means to keep the work of remembering alive.
- [Racist by Design](https://www.artsoftheworkingclass.org/text/racist-by-design.md) - Institutions present themselves as neutral. Will Fredo Furtado's book proposal aim to show how they harm racialized people by design.
- [Image Politics of Touching, Observing, and Recording](https://www.artsoftheworkingclass.org/text/image-politics-of-touching-observing-and-recording.md) - A dialogue on positionality, embodied technology, and reparative storytelling in the frame of the exhibition "Synthesizing Realities" at ifa-Galerie Stuttgart.
- [The Syntax is More Important than the Vocabulary](https://www.artsoftheworkingclass.org/text/barcelona-gallery-weekend-the-syntax-is-more-important-than-the-vocabulary.md) - During the Barcelona Gallery Weekend, looking at art becomes an open negotiation of who is seen, what gets saved, and how much it costs to belong to the scene.
- [Who Builds the Cultural Infrastructures of the Future?](https://www.artsoftheworkingclass.org/text/who-builds-the-cultural-infrastructures-of-the-future.md) - On Berlin’s independent spaces, collective labor, and the conditions that allow culture to endure.
- [A Library Like a Living Room](https://www.artsoftheworkingclass.org/text/a-library-like-a-living-room.md) - Ahead of Untold Stories, Lilipad’s first festival in Berlin, Sara Arslane discusses multilingual children’s books, the power of images and music, and children’s right to tell their own stories.
- [We Are All the Moth](https://www.artsoftheworkingclass.org/text/we-are-all-the-moth.md) - A conversation with Ushara Dilrukshan on porous bodies, inherited forms and the quiet power of voice.
- [Shadows and Presence](https://www.artsoftheworkingclass.org/text/shadows-and-presence.md) - A conversation with Mariuccia Secol.
- [La Clairvoyance](https://www.artsoftheworkingclass.org/text/la-clairvoyance.md) - On the work of Katja Pilipenko.
- [Relocating Soft Power](https://www.artsoftheworkingclass.org/text/relocating-soft-power.md) - About definitions of culture between postwar and AI world orders — and the infrastructures of collective life.
- [Opening my Swiss-German Family Archive](https://www.artsoftheworkingclass.org/text/opening-my-swiss-german-family-archive.md) - A journey from colonial Palestine to today’s repression of solidarity in Germany.
- [CC Forever](https://www.artsoftheworkingclass.org/text/cc-forever.md) - A poem.
- [Art must not wait for victims to die before documenting their struggles](https://www.artsoftheworkingclass.org/text/anti-fascist-art-manifesto-review.md) - A Review of Mikołaj Sobczak’s Anti-Fascist Art Manifesto.
- [Solar Excess](https://www.artsoftheworkingclass.org/text/review-hamburg-city-curators-exhibition-fire-at-the-st-nikolai-memorial.md) - On the Capitalist Relation to Nature in Hamburg City Curator’s Exhibition “Fire” at the St. Nikolai Memorial.
- [Mit dem eigenen Körper](https://www.artsoftheworkingclass.org/text/mit-dem-eigenen-koerper.md) - Über Sepideh Farsi's filmische Praxis und Dokumentation als politisches Ereignis.
- [移动的邻居](https://www.artsoftheworkingclass.org/text/delivery-workers-mobile-neighbours.md) - 王懿泉
- [Seven Easy Steps for Museums to Liberate the Plantations that Funded Them](https://www.artsoftheworkingclass.org/text/toolkit-cercle-dart-des-travailleurs-de-plantation-congolaise-catpc.md) - A toolkit.
- [ccc (cultivating collateral compositions)](https://www.artsoftheworkingclass.org/text/live-works-summit-at-centrale-fies-angeliki-tzortzakaki.md) - A performative piece from the Live Works Summit at Centrale Fies.
- [Tawna](https://www.artsoftheworkingclass.org/text/entrevista-colectivo-tawna.md) - Una conversación sobre la creación comunitaria, los sueños como método cinematográfico, la defensa de los territorios amazónicos y las contradicciones de ocupar las instituciones internacionales del arte sin renunciar a una anticolonialidad profunda.
- [Circulation in the Age of AI Models](https://www.artsoftheworkingclass.org/text/circulation-in-the-age-of-ai-models-essay-by-maria-ines-plaza-lazo.md) - Arts of the Working Class as a redistribution model for art, wealth, and political imagination; as an editorial platform; and as a political practice shaping labor, memory, and historical time.
- [If access is just for access' sake, I'm not interested.](https://www.artsoftheworkingclass.org/text/a-conversation-with-ren-loren-britton.md) - A conversation with Ren Loren Britton on “Deixis & Needs”.
- [The Kyiv Biennial at KW, Berlin](https://www.artsoftheworkingclass.org/text/the-kyiv-biennial-at-kw-berlin-2026.md) - Amid overlapping global crises, this nomadic project seeks shared understanding across borders and conflicts — a difficult task, and harder still amid funding cuts targeting cultural activities that dissent from the German government.
- [What's Left Unseen, We Must Point Out](https://www.artsoftheworkingclass.org/text/review-of-what-knots-knot-knots-noorderlicht-art-space.md) - A review of “What Knots Knot Knots”, a three-venue exhibition across the Northern Netherlands.
- [SPY Story](https://www.artsoftheworkingclass.org/text/spy-story.md) - Reclaiming the narrative through podcasts and zines-making.
- [Linguistica del Tecnofascismo](https://www.artsoftheworkingclass.org/text/linguistica-del-tecnofascismo-paolo-caffoni.md) - Su linguaggio, potere e la crisi della verità.
- [Art Space to Practice Justice](https://www.artsoftheworkingclass.org/text/art-space-to-practice-justice-lydia-markaki.md) - A case study.
- [Con cada punto, una historia que no se olvida](https://www.artsoftheworkingclass.org/text/women-affected-by-forced-sterilizations.md) - Testimonio de Inés Condori, líder en aquel momento de la Asociación de Mujeres Afectadas por las Esterilizaciones Forzadas de Chumbivilcas, Cusco.
- [Memory is the Landscape a Biennial Lives In](https://www.artsoftheworkingclass.org/text/sonsbeek-2026-review.md) - Sonsbeek 2026 continues to turn a century-old park into a place where deep time and the urgency of the present meet.
- [Transitional Justice Glossary](https://www.artsoftheworkingclass.org/text/transformative-justice.md) - A glossary not of definitions, but orientation; heatmaps of a terrain.
- [The Phantom Archive: from PAD/D’s socially engaged and activist art in the 1980s to the "Radical Unpresent" of 2026](https://www.artsoftheworkingclass.org/text/the-phantom-archive-a-conversation-with-gregory-sholette.md) - A conversation with Gregory Sholette.
- [Harvesting Truth](https://www.artsoftheworkingclass.org/text/essay-harvesting-truth.md) - Transitional justice in postwar Sri Lanka.
- [No Regrets](https://www.artsoftheworkingclass.org/text/no-regrets-interview-with-dione-roach.md) - A conversation with Dione Roach mapping Jail Time Records' internal processes.
- [Görünməyən Əmək, Bitməyən Mübarizə](https://www.artsoftheworkingclass.org/text/goeruenmyn-mk-bitmyn-muebariz.md) - Letter from a worker.
- [Windows of Tolerance](https://www.artsoftheworkingclass.org/text/windows-of-tolerance.md) - Negotiation tools for arts workers.
- [Sous le même soleil](https://www.artsoftheworkingclass.org/text/sous-le-meme-soleil-laura-langenais.md) - The city of Montreal is still organized by class—and so is its shadow.
- [Announcing the Transitional Justice with Artists Fellows](https://www.artsoftheworkingclass.org/text/announcing-the-transitional-justice-with-artists-fellows.md) - Selected from 364 applications from 34 countries, these practitioners are recognized for their long-term work addressing legacies of injustice and violence.
- [Global Players](https://www.artsoftheworkingclass.org/edition/arts-of-the-working-class-42.md) - Issue #42
- [Ovary of a Biennale](https://www.artsoftheworkingclass.org/text/review-necessary-wishes-matter-of-art-biennale-prague.md) - On “Necessary Wishes” at the Matter of Art Biennale, Prague.
- [After the Opening](https://www.artsoftheworkingclass.org/text/interview-gabi-ngcobo-on-he-social-life-of-contemporary-art.md) - Gabi Ngcobo on chairs, changing rhythms, and the social life of contemporary art.
- [We Are All Politicized, But We Are All Individuals](https://www.artsoftheworkingclass.org/text/review-anton-jaegers-hyperpolitics.md) - On Anton Jäger's Hyperpolitics: Extreme Politicization without Political Consequences.
- [Expanded Tempos](https://www.artsoftheworkingclass.org/text/expanded-tempos.md) - A correspondence from 30 hours of listening at Berlin Atonal and Unsound’s “The Infinite Now”.
- [Listening Through Noise](https://www.artsoftheworkingclass.org/text/steffani-jemison-augur.md) - Steffani Jemison reflects on soundscapes, bird language, and the politics of perception in “Augur”, her first institutional exhibition in Germany, at the Westfälischer Kunstverein, Münster.
- [Artist Labor](https://www.artsoftheworkingclass.org/text/issue-42-renzo-martens.md) - Visualizing Ced’art Tamasala.
- [Circulation in the Age of AI Models](https://www.artsoftheworkingclass.org/text/circulation-in-the-age-of-ai-models.md) - Arts of the Working Class as a redistribution model for art, wealth, and political imagination; as an editorial platform; and as a political practice shaping labor, memory, and historical time.
- [Someone's junk is someone else's treasure beim Zurich Art Weekend](https://www.artsoftheworkingclass.org/text/someones-junk-is-someone-elses-treasure-beim-zurich-art-weekend.md) - Wie Geschenke zu Waren, Waren zu Erinnerungen und Erinnerungen zu Kunstwerke werden.
- [When a Museum and Its People Align](https://www.artsoftheworkingclass.org/text/yolande-zola-zoli-the-van-abbemuseum.md) - Yolande Zola Zoli van der Heide on time, labor, and shared authorship at the Van Abbemuseum.
- [The question of class consciousness](https://www.artsoftheworkingclass.org/text/minor-attraction-conversation-class-consciousness.md) - A conversation on how it circulates.
- [The Clockwork and the Fountain](https://www.artsoftheworkingclass.org/text/art-basel-week-2026.md) - A few key works and sites in Basel during the week of art fairs trace the systems that keep everything in motion, even as uncertainty and dispersion define the surface.
- [Learning from Kudzu](https://www.artsoftheworkingclass.org/text/a-conversation-on-animacies.md) - A conversation with Lucrezia Cippitelli and Simone Frangi on “Animacies”, colonial epistemologies, and the possibility of other worlds.
- [Love Knots](https://www.artsoftheworkingclass.org/text/review-oslo-art-weekend.md) - During Oslo’s Art Weekend, Cecilia Vicuña’s “Minga for the Sea” opened with dissonance, bridged distances, and struggles for justice.
- [Affordance Gap](https://www.artsoftheworkingclass.org/text/affordance-gap.md) - A review of “The Material Show” at MuseumsQuartier Freiraum, Vienna.
- [Bruciore individuale, fuoco collettivo](https://www.artsoftheworkingclass.org/text/bruciore-individuale-fuoco-collettivo.md) - Una diagnosi dei ritmi discontinui e sincopati del lavoro culturale.
- [Ombre e Presenze](https://www.artsoftheworkingclass.org/text/a-conversation-with-mariuccia-secol.md) - Una coversazion con l'artista e. organizzatrice Mariuccia Secol.
- [Crude Efforts](https://www.artsoftheworkingclass.org/text/rudolf-laban-crude-efforts.md) - On Rudolf Laban and The Thermodynamic Dance of Work.
- [Greener Pastures](https://www.artsoftheworkingclass.org/text/interview-with-samuel-leuenberger-biennale-gherdeina.md) - An interview with Samuel Leuenberger, curator of the 10th edition of Biennale Gherdëina, “(Future) Paradise Garden”.
- [The Test of Infrastructural Critique:](https://www.artsoftheworkingclass.org/text/the-test-of-infrastructural-critique-petrossians.md) - 26 questions on Abolition and Organization.
- [Carta desde la Pequeñísima Edad de Hielo](https://www.artsoftheworkingclass.org/text/carta-desde-la-pequenisima-edad-de-hielo.md) - From the series "Letters from Workers".
- [Munich Learns How to Speak About Itself](https://www.artsoftheworkingclass.org/text/various-others-2026.md) - Various Others 2026 brings renewed attention to contemporary art in the city.
- [Notes Toward A Plural Canon](https://www.artsoftheworkingclass.org/text/notes-toward-a-plural-canon.md) - On Koyo Kouoh’s 61st Venice Biennale, “In Minor Keys”
- [Circuit of Enthusiasm and Exploitation](https://www.artsoftheworkingclass.org/text/circuit-of-enthusiasm-and-exploitation.md) - A case study on Para-Institutional Labour.
- [Scrivere come l’AI](https://www.artsoftheworkingclass.org/text/scrivere-come-lai.md) - Sull’esaurimento del linguaggio nei Large Language Models.
- [Infiltrated Semblance](https://www.artsoftheworkingclass.org/text/infiltrated-semblance.md) - On Daniel Hopp's „Fictional Healing“, at Kunsthaus Hamburg.
- [The Doors are Open](https://www.artsoftheworkingclass.org/text/the-doors-are-open.md) - A conversation with Minor Attractions’ co-founder and Director Jacob Barnes and Director and Program Curator Sophie Barrett-Pouleau, on “Summer Sessions„, a new multi-venue festival highlighting music, performance, publishing, and film.
- [Sacrifice of the Land, Sacrifice of the Body](https://www.artsoftheworkingclass.org/text/sacrifice-of-the-land-sacrifice-of-the-body.md) - Living through Energy Transition in North Bohemia.
- [Energy](https://www.artsoftheworkingclass.org/edition/arts-of-the-working-class-41.md) - Issue #41
- [The Institution as Medium](https://www.artsoftheworkingclass.org/text/the-institution-as-medium.md) - A conversation on the making of art dependencies in the age of rising authoritarianism and extractive regimes.
- [Soft and Hard Frictions](https://www.artsoftheworkingclass.org/text/artsoftheworkingclass-orgsoft-and-hard-frictions-biennale-arte-2026.md) - We won’t tell you what to see during the upcoming 61st International Art Exhibition of La Biennale di Venezia, In Minor Keys by Koyo Kouoh, what matters here is how to see.
- [Music Becomes a Bridge Between Body and World](https://www.artsoftheworkingclass.org/text/a-conversation-with-hans-ulrich-obrist-and-ben-vickers-on-hildegard-of-bingen.md) - A conversation with Hans Ulrich Obrist and Ben Vickers on Hildegard of Bingen, sound as knowledge, and their exhibition “The Ear is the Eye of the Soul”.
- [No More Masterpieces, Please](https://www.artsoftheworkingclass.org/text/no-more-masterpieces-please.md) - A conversation with Massimiliano Gioni on „New Humans: Memories of the Future“ and curating in an age of machines, myths, and reproduction.
- [Take a visual tour](https://www.artsoftheworkingclass.org/text/take-a-virtual-tour.md) - Thoughts and images for Marina Vishmidt.
- [Flames to Dust](https://www.artsoftheworkingclass.org/text/flames-to-dust.md) - On what survives the collapse of the liberal order
- [We are here and we are in it.](https://www.artsoftheworkingclass.org/text/we-are-here-and-we-are-in-it.md) - A note on how theory moves, and what it leaves behind
- [Reading Marina Vishmidt in Beirut](https://www.artsoftheworkingclass.org/text/reading-marina-vishmidt-in-beirut.md) - A conversation that did not happen yet had happened long ago
- [Figures of Entropy as Anchors of Value](https://www.artsoftheworkingclass.org/text/figures-of-entropy-as-anchors-of-value.md) - I first met Marina in late 2010 while I was still undertaking my BA in Art Practice at Goldsmiths in London. Soon after, I remember discovering her writing and thinking in various locations: Mute Magazine, Variant, a performative sleepover at London's ICA organised by the group Chto Delat called 'W…
- [Noise on the Gaps](https://www.artsoftheworkingclass.org/text/a-score-by-mattin.md) - On how noise and infrastructural critique can crack the fascist body and the phantom subject.
- [Bodies in space, again.](https://www.artsoftheworkingclass.org/text/bodies-in-space-again.md) - On the political economy of what we ingest
- [Abolition and Organization](https://www.artsoftheworkingclass.org/text/the-test-of-infrastructural-critique.md) - On Marina Vishmidt’s Infrastructural Critique.
- [Beign moved](https://www.artsoftheworkingclass.org/text/being-moved.md) - On the infrastructures of denial
- [Institution, Infrastruktur oder Kritik](https://www.artsoftheworkingclass.org/text/institution-infrastructure-or-critique.md) - Eine Rekonstruktion ihrer Konfliktlinien
- [Glossary](https://www.artsoftheworkingclass.org/text/glossary.md) - Infrastructural Critique after Marina Vishmidt.
- [A Minor Form of Life](https://www.artsoftheworkingclass.org/text/interview-with-dipesh-chakrabarty.md) - An interview with Dipesh Chakrabarty.
- [How to Host an Institution](https://www.artsoftheworkingclass.org/text/isabel-lewis-and-rio-rutzinger-inside-the-tanzquartier-wien.md) - A conversation with Isabel Lewis and Rio Rutzinger inside the shifting choreography of Tanzquartier Wien.
- [The Method and the Man](https://www.artsoftheworkingclass.org/text/the-method-the-man.md) - On ILIAZD’s "TOUTITÉ – The Study of Form" at Fondazione Antonio Dalle Nogare, Bolzano
- [Care Questionnaire](https://www.artsoftheworkingclass.org/text/care-questionnaire.md) - Care has no single aesthetic. It’s practiced by everyone, just with radically different values. Tech CEOs care about optimisation. AI labs care about alignment. Crypto funds care about volatility. Border agencies care about supposed safety. Climate activists care about time. Content moderators care…
- [Culture Workers Organising Against the Authoritarian Turn](https://www.artsoftheworkingclass.org/text/culture-workers-organising-against-the-authoritarian-turn.md) - A conversation with members of Art Worker Solidarity in preparation for their Symposium on April 11-12
- [From Charlois to Melly](https://www.artsoftheworkingclass.org/text/rotterdam-art-week.md) - Mapping Trade Through Rotterdam Art Week
- [What is returned can’t be sent back](https://www.artsoftheworkingclass.org/text/what-is-returned-cant-be-sent-back-2.md) - On “Tide of Returns” at TBA21, Ocean Space in Venice
- [Manos, cuerpo y creatividad](https://www.artsoftheworkingclass.org/text/manos-cuerpo-y-creatividad.md) - Una conversación con Carlos Velasco sobre concreto, familia y la fuerza de la comunidad mexicana en Los Ángeles
- [Everything Comes From Within](https://www.artsoftheworkingclass.org/text/everything-comes-from-within.md) - An interview with Ian Waelder on memory and attitude
- [Formal Economy: The beggar](https://www.artsoftheworkingclass.org/text/formal-economy-1.md) - A lecture-performance
- [People Watch Movies to Understand History](https://www.artsoftheworkingclass.org/text/people-watch-movies-to-understand-history.md) - On how Diane Severin Nguyen contemplates—and dismantles—the boundaries between the real and the staged
- [Orquídeas, riesgos y placer](https://www.artsoftheworkingclass.org/text/orquideas-riesgos-y-placer.md) - Sobre el Chemsex
- [Where are You from, Warrior?](https://www.artsoftheworkingclass.org/text/where-are-you-from-warrior.md) - Reflections on "Melted for Love"— Sonic Acts Biennial, Amsterdam
- [Lo que esconde la ciudad en un abrazo.](https://www.artsoftheworkingclass.org/text/lo-que-esconde-la-ciudad-en-un-abrazo.md) - La feria de arte contemporáneo ARCO me llevó a Madrid, y terminé en Córdoba
- [The Vibe of a Nation](https://www.artsoftheworkingclass.org/text/the-vibe-of-a-nation.md) - Relationality, Refusal, and Reformation in the 2026 Whitney Biennial
- [When the Ground Speaks Volumes](https://www.artsoftheworkingclass.org/text/when-the-ground-speaks-volumes.md) - A conversation with architect Peter Zumthor on how the new David Geffen Galleries at the Los Angeles County Museum of Art are adding more than just another architectural landmark to the city.
- [Date with a Plant](https://www.artsoftheworkingclass.org/text/date-with-a-plant.md) - Notes on Time, Light, and a Studio in Prague
- [The Fog of Full-Scale Conflicts](https://www.artsoftheworkingclass.org/text/the-fog-of-full-scale-conflicts.md) - A conversation with Chus Martínez, Roman Khimei, and Yarema Malashchuk on “Pedagogies of War” at TBA21 Madrid.
- [Transitional Justice with Artists](https://www.artsoftheworkingclass.org/text/transitional-justice-with-artists.md) - Grant and fellowship
- [Are You Cold?](https://www.artsoftheworkingclass.org/text/are-you-cold.md) - On Henrike Kohpeiß’s Bourgeois Coldness
- [Feather changes](https://www.artsoftheworkingclass.org/text/feathered-changes.md) - Reflecting on Mariana Castillo Deball’s 75,000 square-metre site-specific work, commissioned for the new David Geffen Galleries at the Los Angeles County Museum of Art (LACMA), designed by architect Peter Zumthor.
- [An Antiracist Struggle Day](https://www.artsoftheworkingclass.org/text/hannau-antiracist-struggle-day.md) - An interview with Migrantifa Berlin.
- [Synthetics](https://www.artsoftheworkingclass.org/edition/arts-of-the-working-class-40.md) - Issue #40
- [Fried poetry](https://www.artsoftheworkingclass.org/text/fried-poetry.md) - POETRY and MUSIC about SPIRITUALITY and RECOVERY.
- [Kunst als Klassenfrage](https://www.artsoftheworkingclass.org/text/kunst-als-klassenfrage.md) - Plädoyer für eine Organisation gegen Vereinzelung und Grundrechteabbau.
- [Bitte die Geister abschalten](https://www.artsoftheworkingclass.org/text/bitte-die-geister-abschalten.md) - Über Geschmack und NTS Radio als Gegengift zum KI-Slop
- [The World as a Series of Processions](https://www.artsoftheworkingclass.org/text/the-world-as-processions.md) - An Interview with Nora Razian and Sabih Ahmed, artistic directors of the Diriyah Contemporary Art Biennale 2026.
- [The German Federal Government Is Supporting the Destruction of Rojava](https://www.artsoftheworkingclass.org/text/the-german-federal-government-is-supporting-the-destruction-of-rojava.md) - A conversation with Şeyda Kurt on the multilateral attempts to defeat Kurdish autonomy.
- [ChapStick](https://www.artsoftheworkingclass.org/text/chapstick.md) - A meditation on addictions.
- [Dear Strangers](https://www.artsoftheworkingclass.org/text/dear-strangers.md) - Ein Brief an alle Aus “Unsere Heimat sind wir: Nation of Strangers”, frisch diese Woche beim Rowohlt Verlag erschienen.
- [Defend the LAnd](https://www.artsoftheworkingclass.org/text/defend-the-land.md) - Not Law and Order versus Lawlessness.
- [June 20, 1981: The Beginning of an End](https://www.artsoftheworkingclass.org/text/june-20-1981-the-beginning-of-an-end.md) - AI as the Angel of History.
- [Living Repertoires Against Possessive Preservation](https://www.artsoftheworkingclass.org/text/living-repertoires-against-possessive-preservation.md) - Reflections on "Erasure" at Goodwood Art Foundation.
- [There is nothing queer about plastic, and yet](https://www.artsoftheworkingclass.org/text/there-is-nothing-queer-about-plastic-and-yet.md) - Mika Rottenberg’s quirky parcours through the Lehmbruck Museum allows us to see the cracks in capitalist critique and in the tradition of sculpture.
- [Open Call for Proposals](https://www.artsoftheworkingclass.org/text/open-call-for-proposals.md) - Transformers: 2026 Editorial Cycle
- [The gap that we have to bridge](https://www.artsoftheworkingclass.org/text/the-gap-that-we-have-to-bridge-2.md) - Reflections departing from "Culture as a Commons: On Social Responsibility in Cultural Work" at Museion, Bozen.
- [The last mile](https://www.artsoftheworkingclass.org/text/the-last-mile.md) - Learning to understand our current (non)relationship to capital with "Exocapitalism".
- [The Kernel of Capital](https://www.artsoftheworkingclass.org/text/the-kernel-of-capital.md) - A conversation with Eve Tagny on Extraction, Labor, and Histories of Dispossession.
- [The moon wanted to be sun, but it was too late](https://www.artsoftheworkingclass.org/text/the-moon-wanted-to-be-sun-but-it-was-too-late.md) - On Arturo Kameya's work.
- [Is it better to burn out than to fade away?](https://www.artsoftheworkingclass.org/text/is-it-better-to-burn-out-than-to-fade-away.md) - On Hannah Proctor’s Burnout: The Emotional Experience of Political Defeat.
- [Heaven lies beneath the feet of your Mother*](https://www.artsoftheworkingclass.org/text/heaven-lies-beneath-the-feet-of-your-mother.md) - A meditation on lineage, faith, and the bodies that carry history.
- [Rehearsing Cultural Abolitionisms](https://www.artsoftheworkingclass.org/text/rehearsing-cultural-abolitionisms-catwings.md) - A Fundraiser.
- [Proof of existence](https://www.artsoftheworkingclass.org/text/proof-of-existence.md) - Observations from Tirana Art Weekend.
- [Das Sehnen nach Zärtlichkeit](https://www.artsoftheworkingclass.org/text/das-sehnen-nach-zaertlichkeit.md) - #1 Ich bin Viele und ich gehe los. Noch viel mehr gehen auch los, mit all ihren Gegenwarten und ohne Zukünfte. Da sehe ich dich das erste mal und ich ahne noch nicht, dass bald viel mehr von uns ineinander fließen wird als unsere Stimmen auf der Straße. Als du dich zu mir umdrehst und mich einlädst…
- [Bureaucratic Struggle: Literature in the penal system](https://www.artsoftheworkingclass.org/text/bureocratic-stuggel-literature-in-the-penal-system.md) - An artistic inquiry on abolition and enducation.
- [Romantic Love and Relationship Anarchism](https://www.artsoftheworkingclass.org/text/romantic-love-and-relationship-anarchism.md) - On practice, not possession.
- [The Wettened Eye](https://www.artsoftheworkingclass.org/text/the-wettened-eye.md) - Notes on the Walk&Talk Biennial “Gestures of Abundance”.
- [Tribute to a Vandal Artist from the South](https://www.artsoftheworkingclass.org/text/tribute-to-a-vandal-artist-from-the-south.md) - On the graffiti tagger Caroline Pivetta da Mota.
- [The Trap of Equivalence](https://www.artsoftheworkingclass.org/text/the-trap-of-equivalence.md) - African Cultural Production and Colonial Knowledge Systems.
- [Anal Pompidou](https://www.artsoftheworkingclass.org/text/anal-pompidou.md) - Or ‘Bruxellois’ Satire as Survival in the Face of Institutional Wreckage.
- [Chicks on Speed](https://www.artsoftheworkingclass.org/text/chicks-on-speed.md) - On the cosmology of life of revolt and leisure.
- [Buisinesses as usual](https://www.artsoftheworkingclass.org/text/businesses-as-usual.md) - On the negation of complicity.
- [Relationships](https://www.artsoftheworkingclass.org/edition/arts-of-the-working-class-39.md) - Issue #39
- [Wellbeing in the 21st Century](https://www.artsoftheworkingclass.org/text/wellbeing-in-the-21st-century-1.md) - Why a Shared Vision of Prosperity Matters for Democracy.
- [Motherhood at the Edge of a Collapsing World](https://www.artsoftheworkingclass.org/text/motherhood-at-the-edge-of-a-collapsing-world.md) - What pregnancy means in an age of ecological crisis.
- [Strawberry fields](https://www.artsoftheworkingclass.org/text/strawberry-fields.md) - Guión de “Strawberry Fields”, la nueva película de Julia Montilla, ganadora del 11º Premio de Videocreación*, que se estrena durante el Loop Festival Barcelona, en La Fabra Centre D’Art Contemporani.
- [Loop Barcelona](https://www.artsoftheworkingclass.org/text/loop-barcelona.md) - A conversation with Filipa Ramos, artistic director of the exhibition’s 2025 edition, about the politics of perception, ecological crises, and the evolving role of art in an image-saturated world.
- [Masked Balls and "Drecksarbeit"](https://www.artsoftheworkingclass.org/text/masked-balls-and-drecksarbeit.md) - What to do when no one pretends anymore?
- [The Limits of International Law](https://www.artsoftheworkingclass.org/text/the-limits-of-international-law.md) - A conversation with Ingo Venzke, Christina Eckes, and Margaretha Wewerinke-Singh of the School of Law at the University of Amsterdam on legal thought to inhabit the tension between institutional diplomacy and unapologetic urgency.
- [Nairy Baghramian](https://www.artsoftheworkingclass.org/text/nairy-baghramian.md) - On namelessness as another word for refusal.
- [Guerrilla Frequencies](https://www.artsoftheworkingclass.org/text/guerrilla-frequencies.md) - A logbook to "capeforce iv", Istanbul adaptation.
- [Il tutto che suona ed ascolta](https://www.artsoftheworkingclass.org/text/il-tutto-che-suona-ed-ascolta-1.md) - Una conversazione con Caterina Barbieri su "La Stella Dentro", la 69ª edizione della Biennale Musica di Venezia.
- [A Living Curriculum of Resistance](https://www.artsoftheworkingclass.org/text/a-living-curriculum-of-resistance.md) - A conversation with the activists of the Occupy Against Occupation camp in Berlin.
- [Adam Fearon](https://www.artsoftheworkingclass.org/text/adam-fearon.md) - Parading the Eyes.
- [What is the Role of Empathy?](https://www.artsoftheworkingclass.org/text/what-is-the-role-of-empathy.md) - A conversation between Sally Abed and Jess Bricker, with a foreword by María Inés Plaza Lazo.
- [Zärtlichkeit als Widerstand](https://www.artsoftheworkingclass.org/text/zaertlichkeit-als-widerstand-2.md) - Ein Gespräch mit Udo Kittelmann und Marina Paulenka über universelle Intimität, deutsche Geschichte und die Aktualität der Fotografie von Helga Paris.
- [Buckling under the Weight of an Ongoing Past](https://www.artsoftheworkingclass.org/text/buckling-under-the-weight-of-an-ongoing-past.md) - On the 58th edition of the steirischer herbst festival in Graz.
- [Studies on Squats](https://www.artsoftheworkingclass.org/text/studies-on-squats-1.md) - A blueprint for kinetic journeys that will be open to all who want to dance a revolution.
- [What are we responsible for?](https://www.artsoftheworkingclass.org/text/a-hand-that-is-all-our-hands-combined-the-13rd-biennial-of-goeteborg.md) - On "a hand that is all our hands combined", the 13th Göteborg Biennial, Sweden.
- [Reels of Erasure](https://www.artsoftheworkingclass.org/text/reels-of-erasure.md) - GDR Cinema and the Berlin Story of Urban Change
- [Alexandra Bachzetsis](https://www.artsoftheworkingclass.org/text/alexandra-bachzetsis.md) - Choreographing Power and Surrender.
- [The Art of Cooking With Communist Dreams](https://www.artsoftheworkingclass.org/text/the-art-of-cooking-with-communist-dreams.md) - From Garlic to Onion.
- [Distracted Attention](https://www.artsoftheworkingclass.org/text/distracted-attention.md) - Notes on "Fragmented Subjectivities", this year's "curated by" festival in Vienna.
- [Quando il prendersi cura ha bisogno della pirateria](https://www.artsoftheworkingclass.org/text/when-care-needs-piracy.md) - Sull’uso della disobbedienza contro i regimi di proprietà imperiali.
- [Memórias do corpo](https://www.artsoftheworkingclass.org/text/memorias-do-corpo.md) - Artimanhas do poder.
- [Syrigana](https://www.artsoftheworkingclass.org/text/syrigana.md) - An Opera in Five Acts by Petrit Halilaj.
- [A New Age of Idolatry Arrives](https://www.artsoftheworkingclass.org/text/a-new-age-of-idolatry-arrives-1.md) - A conversation with Christelle Oyiri (aka CRYSTALLMESS) on music as ritual, ghosts as architecture, and the regimes of visibility.
- [Uncommon Appetites](https://www.artsoftheworkingclass.org/text/uncommon-appetites-1.md) - A Conversation with Aterraterra on Post-Varietal Communities as a way to destabilize notions of authenticity in the agri-food industry.
- [Rave, Relic, Reel](https://www.artsoftheworkingclass.org/text/rave-relic-reel-1.md) - Paranormal Frequencies in Mark Leckey’s Latest Works
- [Abaseh Mirvali in conversation](https://www.artsoftheworkingclass.org/text/abaseh-mirvali-on-viennacontemporary.md) - On no safe markets and all risks to take at viennacontemporary 2025.
- [Choreography](https://www.artsoftheworkingclass.org/edition/choreography.md) - Issue #38
- [AWC Guided Tours | Berlin Art Week 2025](https://www.artsoftheworkingclass.org/text/awc-tours-berlin-art-week-2025.md) - Four days. Four itineraries. Countless urgencies.
- [An exercise in discernment](https://www.artsoftheworkingclass.org/text/an-exercise-in-discernment.md) - Reflections on the 2025 edition of the Independent Space Index Vienna.
- [The City as a Mouth](https://www.artsoftheworkingclass.org/text/the-city-as-a-mouth.md) - Impressions of the Edinburgh Art Festival.
- [Somersaults of Negation](https://www.artsoftheworkingclass.org/text/somersaults-of-negation.md) - On Liz Craft – Just Say Nein.
- [Fury hunts](https://www.artsoftheworkingclass.org/text/fury-hunts.md) - On staying irreducibly animal.
- [Falasarna Whispers](https://www.artsoftheworkingclass.org/text/falasarna-whispers.md) - Notes On (In)tangible Loss and the Preservation of Memories
- [The shape of a community.](https://www.artsoftheworkingclass.org/text/the-shape-of-a-community.md) - On "The Shape of a Circle in the Mind of a Fish", a collaborative symposium festival at E-WERK Luckenwalde.
- [Getting the lie of the land](https://www.artsoftheworkingclass.org/text/getting-the-lie-of-the-land.md) - On maps, myths and excavations in the Folkestone Triennial.
- [Living labor and ghostly contaminations](https://www.artsoftheworkingclass.org/text/living-labor-and-ghostly-contaminations.md) - An Interview with Raqs Media Collective accompanying Raqs’ participation (with The Capital of Accumulation, 2010) in Accumulation—On Collecting, Growth and Excess at Migros Museum für Gegenwartskunst.
- [Die Stadt als Plantage](https://www.artsoftheworkingclass.org/text/cosima-von-bonin.md) - Über Cosima von Bonins Werk 7000 Palmen.
- [Colonial Afterlives, Local Convergences](https://www.artsoftheworkingclass.org/text/colonial-afterlives-local-convergences.md) - A conversation with Samia Henni on “Psycho-Colonial Spaces” at Ar/Ge Kunst in Bolzano.
- [Die Einberufung zivilgesellschaftlicher Tribunale](https://www.artsoftheworkingclass.org/text/die-einberufung-zivilgesellschaftlicher-tribunale.md) - Warum das Recht nicht dem Staat gehört.
- [Who said the sky was ever neutral?](https://www.artsoftheworkingclass.org/text/who-said-the-sky-was-ever-neutral-1.md) - Review of "From the Cosmos to the Commons" curated by Joanna Warsza.
- [Unabating Wonder](https://www.artsoftheworkingclass.org/text/unabating-wonder.md) - On spirituality and politics, for a re-enchantment of militant commitment.
- [The Joy of Difficultating](https://www.artsoftheworkingclass.org/text/the-joy-of-difficultating.md) - A conversation with curators Duygu Örs and Jasmine Grace Wenzel on their approaches to mediation in the frame of the 13th Berlin Biennale for Contemporary Art “Passing the Fugitive on”.
- [To Break up with I’](https://www.artsoftheworkingclass.org/text/to-break-up-with-i.md) - Letters on nationhood and belonging.
- [(M)otherland](https://www.artsoftheworkingclass.org/text/motherland.md) - Die Ausstellung von Ruth Patir am Tel Aviv Museum of Art kreist nicht um ein binäres Entweder-Oder. Sie ist vielmehr an eine Konditionalität gebunden, die meist ignoriert wird.
- [Property Regimes](https://www.artsoftheworkingclass.org/text/property-regimes.md) - A questionnaire on collection procedures and structures at the Migros Museum für Gegenwartskunst.
- [Cemetery of dead words](https://www.artsoftheworkingclass.org/text/cemetery-of-dead-words.md) - A selection from "Critical Imagination Deficit" series on show at KW, Berlin
- [En el quiebre. Juntas (1)](https://www.artsoftheworkingclass.org/text/en-el-quiebre-juntas-1.md) - Um diálogo interno sobre identidade sexual e política radical.
- [An accumulation of care.](https://www.artsoftheworkingclass.org/text/an-accumulation-of-care.md) - Reflection on practices of interdependence at the edge of exhaustion.
- [Fence and Viper](https://www.artsoftheworkingclass.org/text/fence-and-viper.md) - Notes from the Gaza Envelope.
- [Transfiguration](https://www.artsoftheworkingclass.org/edition/transfiguration.md) - Issue #37
- [Art Critique as Midwifery of a Shifting Consciousness](https://www.artsoftheworkingclass.org/text/art-critique-as-midwifery-of-a-shifting-consciousness.md) - Opening Notes to the symposium on June 21 at Atelier Gardens, Berlin.
- [This isn’t a topic or an issue; this is life in its most brutal force](https://www.artsoftheworkingclass.org/text/this-isnt-a-topic-or-an-issue-this-is-life-in-its-most-brutal-force.md) - Notes on Ceasefires and Dehumanization.
- [Bracha](https://www.artsoftheworkingclass.org/text/bracha-37.md) - Was kann Malerei “fürtragen” – jenseits von ideologischen Zuschreibungen?
- [30 Jahre LISTE](https://www.artsoftheworkingclass.org/text/30-jahre-liste.md) - Ein Gespräch mit Nikola Dietrich.
- [Speaking to the Past](https://www.artsoftheworkingclass.org/text/speaking-to-the-past.md) - Reflections on witnessing and narrating the present.
- [Visiting the Oracle](https://www.artsoftheworkingclass.org/text/oracle-the-36th-ljubljana-biennial-of-graphic-arts-curated-by-chus-martinez.md) - On the 36th Ljubljana Biennial of Graphic Arts, curated by Chus Martínez, which runs until October 12, 2025
- [Word Worker, Local Hustler, Niche Internet Angel](https://www.artsoftheworkingclass.org/text/word-worker-local-hustler-niche-internet-angel.md) - On migrant labor, meme-making as resistance, and going chronically online to stay visible in a system built to erase you.
- [Twelve Today](https://www.artsoftheworkingclass.org/text/twelve-today.md) - My first job after I suffered a great injury was at a crematory. Behind a small castle In Colma, nestled between fallen trees and unkept plots, in a corrugated temporary structure sat four furnaces, a grinder, and a wall of refrigerators. Steel doors ground open against concrete floors chipping the…
- [Creare Spazi di Alteristituzionalità](https://www.artsoftheworkingclass.org/text/creare-spazi-di-alteristituzionalita.md) - Una conversazione con Marco Baravalle su come uscire dal paradigma neoliberale nel sistema dell’arte a partire dall'esperienza di Sale Docks.
- [Rehearsing Cultural Abolitionisms:](https://www.artsoftheworkingclass.org/text/rehearsing-cultural-abolitionisms.md) - Notes on Transformative Art Practices
- [In den Rissen der Stille](https://www.artsoftheworkingclass.org/text/in-den-rissen-der-stille.md) - Oder Blues of the Orient, oder vom Leben zwischen Sprachlosigkeit und Erinnerung.
- ["Тишина!"  "Тишина!"  "Тишина!"  "Тишина!"  "Тишина!" (1)](https://www.artsoftheworkingclass.org/text/tishina-tishina-tishina-tishina-tishina.md) - Notes from Belgrade in protest.
- [April acts & neverending labor shifts](https://www.artsoftheworkingclass.org/text/april-acts-and-neverending-labor-shifts.md) - On the 16th Sharjah Biennial.
- [Ubiquitous Resistances](https://www.artsoftheworkingclass.org/text/ubiquitous-resistances.md) - A conversation with Carlos Motta on his solo show "Pleas of Resistance" at MACBA, Barcelona.
- [Coincidentally, you are here](https://www.artsoftheworkingclass.org/text/coincidentally-you-are-here.md) - A review on Various Others, 2025.
- [La acumulación no es solo una categoría económica:  es una violencia con historia](https://www.artsoftheworkingclass.org/text/la-acumulacion-no-es-solo-una-categoria-economica-es-una-violencia-con-historia.md) - Introducción a una Conciencia Material y Revisión Económica a través de la exposición Accumulation – On Collecting, Growth and Excess en el Migros Museum for Contemporary Art.
- [Spektrale Heimsuchungen im Museum](https://www.artsoftheworkingclass.org/text/jayanthan-sriram-akkumulation.md) - Die Akkumulation des Anderen als Topographie der Nekropolitik.
- [Letters from Vendors](https://www.artsoftheworkingclass.org/text/letters-from-vendors-rico.md) - Liebe Leser*innen, Gerade hatte ich einen Verhaltensrückfall – aus dem ich gerade wieder auftauche. Einfach zu viel – verflixtes Polytoxikomanie! Erstes unerwartetes Geschenk: Mittelgroße Tasche aus der Schweiz oder aus Bayern: außen Lederstreifen mit einem Edelweiß-Print, innen das typische bayeri…
- [Olympic update: homeless in Los Angeles](https://www.artsoftheworkingclass.org/text/olympic-update-homelessness-in-los-angeles.md) - A 1984 performance tracing the Olympics through the eyes and voices of L.A's unhoused community.
- [Grassroots Infrastructures that affect each other](https://www.artsoftheworkingclass.org/text/grassroots-infrastructures-that-affect-each-other.md) - An interview with curators Yudi Rafael, Juliana Caffé, and Alex Ungprateeb Flynn on the exhibition "Occupation, Construction".
- [Artists of Skid Row, Unite!](https://www.artsoftheworkingclass.org/text/artists-of-skid-row-unite.md) - An interview with the Los Angeles Poverty Department (LAPD).
- [Typologien](https://www.artsoftheworkingclass.org/text/typologien-ein-gespraech-mit-susanne-pfeffer-ueber-ihre-ausstellung-in-der-fondazione-prada-in-mailand.md) - Ein Gespräch mit Susanne Pfeffer über ihre Ausstellung in der Fondazione Prada in Mailand
- [Experience](https://www.artsoftheworkingclass.org/edition/experience.md) - Issue #36
- [Bracha](https://www.artsoftheworkingclass.org/text/bracha.md) - Was kann Malerei “fürtragen” – jenseits von ideologischen Zuschreibungen?
- [Putting the Law on Trial](https://www.artsoftheworkingclass.org/text/putting-the-law-on-trial.md) - On the Court for Intergenerational Climate Crimes, Serpentine Galleries
- [Second-Hand-News aus dem Rheinland](https://www.artsoftheworkingclass.org/text/second-hand-news-aus-dem-rheinland.md) - Beobachtungen zur Düsseldorfer Messewoche.
- [Among Friends of the Fiera](https://www.artsoftheworkingclass.org/text/miart-week-2025.md) - art, taxes and class solidarity - of a certain kind - converging at the miart week 2025.
- [April, April! Eine feministische Praxis ohne Widersprüche?](https://www.artsoftheworkingclass.org/text/politisch-poetisch-polemisch-texte-zur-feministischen-gegenwart-von-caroline-kraft-und-elisabeth-wellershaus.md) - Über den Sammelband "Politisch, Poetisch, Polemisch – Texte zur feministischen Gegenwart" von Caroline Kraft und Elisabeth Wellershaus, welcher Artikel der ehemaligen ZEIT-Online-Kolumne 10 nach 8 versammelt, die nach zehn Jahren eingestellt wurde.
- [Art in Permacrisis](https://www.artsoftheworkingclass.org/text/art-in-permacrisis.md) - A column about heterodox art economy memes, the contagious ideas spreading among art workers who long for a sustainable art economy.
- [Glanz und Armut](https://www.artsoftheworkingclass.org/text/glanz-und-armut-das-geld-bei-arts-of-the-working-class.md) - Aus Briefen von Arbeitnehmer*innen.
- [For ‘I love you’, say Free Palestine](https://www.artsoftheworkingclass.org/text/for-i-love-you-say-free-palestine.md) - Award-winning writer and human rights lawyer, Sara M. Saleh highlights the call to end racial discrimination with a poetic contribution to Progressive International’s limited-edition series.
- [This Won’t Be a Wholly Aestheticized Documenta](https://www.artsoftheworkingclass.org/text/naomi-beckwiths-first-press-conference-in-kassel.md) - On Naomi Beckwith’s First Press Conference in Kassel
- [Die Realität hinter der Leinwand](https://www.artsoftheworkingclass.org/text/bericht-ueber-premiere-von-no-other-land-in-masafer-yatta.md) - Ein Bericht über die Premiere “No Other Land” in Masafer Yatta, am Tag in dem der Waffenstillstand nach erfolglosen Verhandlungen mit dem Luftschlag auf Gaza gebrochen wurde.
- [Narrating Protests: On Collectivizing Justice](https://www.artsoftheworkingclass.org/text/narrating-protests-on-collectivizing-justice.md) - How civil process observation reveals racial and class prejudice in the courtroom.
- [Review: States of the Earth](https://www.artsoftheworkingclass.org/text/review-states-of-the-earth.md) - An exhibition that widely explains why we need to understand the planet as a web of contested territories and fragile lives, and not just an ecosystem.
- [Querer ser nada más que imagen](https://www.artsoftheworkingclass.org/text/querer-ser-nada-mas-que-imagen.md) - Entrevista con Jerónimo Ruedi
- [Reset](https://www.artsoftheworkingclass.org/edition/reset.md) - Issue #35

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