Legal, Extralegal, I am Somehow

Arts of the Working Class is a multilingual publishing program at the intersection of art, society, poverty and wealth. Sold on the streets, vendors keep 100% of the revenues.

The Languages We Don’t Yet Have

Havîn Al-Sîndy, Céline Semaan, and Payam Sharifi in conversation with Hanno Hauenstein on translation, embodied memory, and the power to name experience.

The Languages We Don’t Yet Have
823 contributions

Interview: silvia kolbowski

Interview: silvia kolbowski

The pioneering artist discusses the trajectory of her critical practice, misconceptions of art's social value and how to perform against far-right aesthetics.

Review: bouchra khalili, the nordic chapter

Review: bouchra khalili, the nordic chapter

On the artists' quest to connect the dots between different histories of struggle.

Notizen aus basel: warum ist es so schwer, die kunst zu lieben?

Notizen aus basel: warum ist es so schwer, die kunst zu lieben?

Drei Ausstellungen zur existenziellen Fragilität. Aus gegebenem Anlass.

Things might break (if you want them to)

Things might break (if you want them to)

On breaking the monoculture, re-thinking artistic programming and finding the strength in humour.

Welches system? welche relevanz?

Welches system? welche relevanz?

Wie Christian Jankowski das Jahr 2020 als eine Umbruchzeit historisiert.

It's a small world

It's a small world

The Pink Panther has become a symbol of the COVID-19 pandemic. At least for Simon Fujiwara. The Pink Panther can do everything, can represent everything, because it can’t talk.

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