Review

On Anton Jäger's Hyperpolitics: Extreme Politicization without Political Consequences.

Wie Geschenke zu Waren, Waren zu Erinnerungen und Erinnerungen zu Kunstwerke werden.

A few key works and sites in Basel during the week of art fairs trace the systems that keep everything in motion, even as uncertainty and dispersion define the surface.

During Oslo’s Art Weekend, Cecilia Vicuña’s “Minga for the Sea” opened with dissonance, bridged distances, and struggles for justice.

A review of “The Material Show” at MuseumsQuartier Freiraum, Vienna.

An interview with Samuel Leuenberger, curator of the 10th edition of Biennale Gherdëina, “(Future) Paradise Garden”.